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The-Ed-Sullivan-Show

The Ed Sullivan Show


64 years old
United States
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FORMAT:
Variety Show


Regulars:

United States

Ed Sullivan – Executive Producer

Marlo Lewis (1948-1960) (Co-Founder & Co-Producer with Sullivan)

Bob Precht - Producer

Chester Feldman - Producer

Jack McGeehan - Producer

23

1068

June 20, 1948 – June 6, 1971

Toast of the Town




Roy Orbison on The Ed Sullivan Show The Beatles on The Ed Sullivan Show Richard Burton on The Ed Sullivan Show Julie Andrews on The Ed Sullivan Show

If any program in the history of American History could be called an institution, it would probably be The Ed Sullivan Show. Every Sunday night for more than two decades this homely newspaper columnist with peculiar diction and awkward gestures brought an incredible variety of entertainment into American homes. No pandering to the lowest common denominator here – there was grand opera and the latest rock stars, classical ballet and leggy Broadway showgirls, slapstick comedy and recitations from great dramatic writings, often juxtaposed on a single telecast. Viewers loved it.

It began simply enough. Originally titled Toast of the Town (it was going to be called ‘You're the Top’, but that title was dropped before the first telecast), the program was one of many variety shows on early television most of which had noticeably short lives. The first telecast, in the summer of 1948, was produced on a meager budget of $1,375. Only $375 was allocated for talent, and the two young stars of that show, Dean Martin and Jerry Lewis, split the lion's share of that $200. But Ed had class. Also on that first telecast was concert pianist Eugene List, Richard Rodgers and Oscar Hammerstein II, and the six original June Taylor Dancers (then called the Toastettes). The critics of the early Sullivan shows were not kind. They complained about his deadpan delivery, his lack of any noticeable talent as a performer and the strange collections of acts he put together for a single program. That very variety and a newspaperman's nose for "events," made Sullivan’s show a resounding success. The format only seemed to be that of an old-fashioned vaudeville revue (Ed himself stoutly denied that it was "vaudeo"). Where in vaudeville would you have the Bolshoi Ballet one week, scenes from a hit Broadway show with the original cast on another and dancing bears on a third?

Numerous performers made their American television debuts on the show, including Charles Laughton, Bob Hope, Lena Horne, Martin and Lewis, Dinah Shore, Eddie Fisher, The Beatles and Walt Disney. Disney's appearance was ironic. He was featured in a full-hour special edition of Toast of the Town on February 8, 1953. The following year he began his own show, on ABC and it was that program that finally surpassed Ed Sullivan as the longest-running prime-time network show. It will be noted that Elvis Presley is missing from the above list of firsts, although he is best remembered for his appearances on The Ed Sullivan Show in the fall of 1956. Elvis actually made his TV debut in January 1956, on Tommy and Jimmy Dorsey's Stage Show. No matter. To play Sullivan was to make headlines and Presley's appearance just at the moment he was revolutionizing popular music did just that. So did The Beatles seven years later.

In addition to the firsts, virtually every "name" act in American music, comedy, theater and film appeared over the years. There were also a few who never did make it out from under Ed's wing: Topo Gigio, the mechanical Italian mouse and Señior Wences and his talking box ("S-all right?" "S-all right!"). Those celebrities not appearing on the stage were in the audience. To be picked out by Ed from the stage and introduced on nationwide television was a high honor indeed.
Sullivan's mannerisms became legendary, the butt of a thousand comics. He himself participated in a parody record called "It's a Reeally Big SHEW Tonight!" in the mid-1950s and his program was brilliantly satirized in the Broadway musical ‘Bye Bye Birdie’ in the early 1960s—in which an all-American family reaches spiritual ecstasy when they learn, "We're going to be on . . . Ed Sullivan!"

The show itself changed little over the years, though its scope certainly widened. The title was changed officially to The Ed Sullivan Show on September 18, 1955. Some telecasts and segments originated from foreign countries, including Japan, the Soviet Union, Italy, France, England, Spain, Portugal, Ireland, Mexico, Israel, Cuba, and Hong Kong. Some shows were mini-spectaculars, such as the 90-minute tribute to songwriter Irving Berlin, which ended in true Sullivan fashion with a huge American flag in fireworks and the entire cast singing "God Bless America."

Sullivan's run finally ended in 1971, the victim not so much of falling ratings as of a desire by CBS to "modernize" its programming (Ed's appeal had increasingly been to older viewers). There followed some Ed Sullivan specials and a 25th-anniversary special in 1973, but shortly thereafter Sullivan was dead. He will not soon be forgotten.

No tape exists of his first show for which the talent budget was $375, of which $200 went to Dean Martin and Jerry Lewis.

The only visual recording of Richard Burton and Julie Andrews performing the title song from Camelot is that from the Sullivan stage.

The Beatles were paid $25,000.

Elvis Presley was paid $50,000

On October 18, 1964, Jackie Mason allegedly gave Sullivan the finger on air. A tape of the incident shows Mason doing his stand-up comedy act and then looking toward Sullivan, commenting that Sullivan was signaling him. Sullivan was reportedly telling Mason to wrap it up, since CBS was about to cut away to show a speech by President Lyndon Johnson. Mason began working his own fingers into his act and pointed toward Sullivan with his middle finger slightly separated. After Mason left the stage, the camera then cut to a visibly angry Sullivan. Sullivan argued with Mason backstage, then terminated his contract. Mason denied knowingly giving Sullivan the finger and later filed a libel suit. Sullivan publicly apologized to Mason when he appeared on the show two years later. At that time, Mason opened his monologue by saying "it is great to see all of you in person again." Mason dropped the lawsuit, but never appeared on the show again.

On November 20, 1955, African-American rock 'n' roll singer and guitarist Bo Diddley appeared on The Ed Sullivan ShowI only to infuriate him ("I did two songs and he got mad"). Diddley had been asked to sing Tennessee Ernie Ford's hit "Sixteen Tons". But when he appeared on stage, he sang his #1 R&B hit "Bo Diddley". Diddley later recalls, "Ed Sullivan says to me in plain words: 'You are the first black boy—quote—that ever double crossed me!' I was ready to fight, because I was a little young dude off the streets of Chicago, an' him callin' me 'black' in them days was as bad as sayin' 'nigger'. My manager says to me 'That’s Mr. Sullivan!' I said: 'I don’t give a shit about Mr. Sullivan, he don't talk to me like that!' An' so he told me, he says, 'I'll see that you never work no more in show business. You'll never get another TV show in your life!'" Indeed, Diddley seems to have been banned from further appearances, as "the guitarist never did appear on The Ed Sullivan Show again."

Bob Dylan was slated to make his first nationwide television appearance on The Ed Sullivan Show on May 12, 1963 and intended to perform "Talkin' John Birch Paranoid Blues", a song he wrote lampooning the John Birch Society and the red-hunting paranoia associated with it. During the afternoon rehearsal that day, CBS officials told Dylan they had deemed the song unacceptable for broadcast and wanted him to substitute another. "No; this is what I want to do," Dylan responded. "If I can't play my song, I'd rather not appear on the show." He then left the studio, walking out on the stint.

The Doors were notorious for their appearance on the show. CBS network censors demanded that lead singer Jim Morrison change the lyrics to their hit single ‘Light My Fire’ by altering the line, "Girl, we couldn't get much higher", before the band performed the song live on September 17, 1967. The lyric was to have been changed to, "Girl, we couldn't get much better". However, Morrison sang the original line, and on live television with no delay, CBS was powerless to stop it. A furious Sullivan refused to shake the band members' hands and they were never invited back to the show. According to Ray Manzarek, the band was told "Mr. Sullivan liked you boys. He wanted you on six more times. ... You'll never do the Sullivan show again"; Morrison replied with glee, "We just did the Sullivan show" — at the time, an appearance was a hallmark of success. Manzarek claims the band agreed with the producer beforehand but had no intention of altering the line.

In contrast, The Rolling Stones were instructed to change the title of their "Let's Spend the Night Together" single for the band's January 15, 1967 appearance. The band complied, with Mick Jagger ostentatiously rolling his eyes heavenward whenever he reached the song's one-night-only, clean refrain, "Let's spend some time together". In revenge, the Stones went backstage and came out on stage, dressed in Nazi uniforms with Swastikas, which caused an angry Sullivan to tell them to change back into their performing outfits, however, the Stones left the studio, and Sullivan declared that he would never again allow the Stones to ever appear on his show again. (Source: "Dick Clark's 25 years of Rock and Roll" - 1981).

On December 14, 1969 The Jackson Five, featuring Michael Jackson, played for the first time on national TV on The Ed Sullivan Show. They were the lead music act that night before the main gig, Diana Ross & The Supremes.

Ed Sullivan: It's a really big show tonight.


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